Killing the Blues Open C Tablature: A Personal Approach to Composition

As a composer, my creative process often involves 'noodling' on an instrument until ideas start to take shape. I don't claim to be an expert on the evolution of the 12-bar blues scheme, but I can share my personal experience and approach to composing songs.

For me, selecting a key has never been a deliberate decision. In fact, I rarely consider what key a song should be in before starting to compose. My earliest attempts at writing music were often guided by what seemed cool or interesting at the time – like choosing F minor simply because it sounded appealing. Looking back, this approach might have been a bit silly, but it led me to experiment and explore different sounds.

In contrast, my more recent compositions have developed organically as I've played around with different chord progressions and melodies. The key often becomes apparent as the song takes shape, rather than being predetermined at the outset. This open-ended approach has allowed me to discover new sounds and styles that might not have emerged if I had forced myself into a specific key.

One example of this process is my exploration of Open C tuning, which I've found particularly suitable for blues-inspired music. The unique sonic landscape offered by Open C has inspired some of my most compelling compositions, and I often find myself returning to it when seeking a fresh perspective.

In conclusion, while I may not have a formal understanding of the 12-bar blues scheme or key selection, my personal approach to composition has led me to some surprising and rewarding discoveries. By embracing an open-ended process and allowing the music to guide me, I've been able to create pieces that resonate with me on a deep level.

Killing the blues open c tablature